A comparative and acceptance study of women’s discourse in Chinese-American online stand-up comedy

As an emerging form of comedy, stand-up comedy has developed rapidly and attracted widespread attention in various countries today through the production dissemination mode new media. In order to better understand cultural characteristics provide methodological inspiration for contemporary feminist public expression, this essay focuses on online China United States. Drawing relevant theories from feminism, gender sociology, reception aesthetics, communication studies, uses textual close reading comparative analysis examine expressive mechanisms women’s discourse these two countries. Through analysis, concludes that female comedic States, which differs perspective, approach, offense its re-speaking, is repeatedly negotiating resistance or compromise at intersection three influencing factors, namely, diachronic socio-cultural traditions, synchronic audience acceptance, external impact market censorship.